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Mummy (1959) VHS
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List Price: $9.98
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Audience Rating: Unrated
Binding: VHS Tape
EAN: 9786302814705
Format: Color, NTSC
ISBN: 6302814707
Label: Warner Home Video
Manufacturer: Warner Home Video
Number Of Items: 1
Publisher: Warner Home Video
Release Date: December 13, 1993
Running Time: 88 minutes
Sales Rank: 25604
Studio: Warner Home Video
Theatrical Release Date: December 16, 1959




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Editorial Review:

Amazon.com:
Hammer Studios' greatest nemeses, Peter Cushing and Christopher Lee, once again square off in this reworking of Universal's The Mummy (with elements of The Mummy's Tomb and The Mummy's Ghost thrown in for good measure). Cushing stars as archeologist John Banning, whose dig for a lost tomb results in untold treasures but leaves his father a mumbling madman and marks the rest of the company for death. Lee is Kharis, a former high priest turned gauze-wrapped guardian of the tomb, a veritable Golem sent on a mission of vengeance by Mehemet Bey (George Pastell), a disciple of the ancient Egyptian god Osiris. The scenes at the archeological dig and the flashbacks to the ancient burial are stagebound and cheap looking, but Terence Fisher is back in familiar territory when the action relocates to the misty swamps and Victorian mansions of rural England. The towering, 6-foot-3-inch-tall Lee makes the most terrifying mummy to date. He covers ground in giant strides, smashes his way into rooms with heavy Frankensteinlike swipes of his arm, and takes shotgun blasts with barely a twitch--yet he melts from rage to calm at the sight of Banning's wife, Isobel (Yvonne Furneaux), a dead ringer for his dead Queen. The film is still most famous for it's tongue-removal scene, discreetly hidden from the camera but nevertheless shiver inducing. --Sean Axmaker



Customer Reviews
Average Rating:  out of 5 stars

Rating: 4 out of 5 stars - Torn From the Tomb... to Terrify!!
In this, 1959's third installment from Hammer Studios, Christopher Lee dons the moldy bandages for a vengeful rampage across the Victorian countryside. Lee plays Kharis, an Egyptian priest returned from the afterlife, searching for archaeologist John Banning (Peter Cushing) and his expedition, to exact revenge on Banning and his team, for desecrating his beloved Princess Ananka's tomb. Directed by Terrence Fisher, this film has good lighting and music score, as well as costumes and make-up, which ... Read More



Rating: 2 out of 5 stars - Great acting but terrible cheap sets.
The movie has some great acting, but it is ruined by the cheap production and the cheap looking sets. It will give you chills, but somehow the B-Movie production values ruin the effect.



Rating: 3 out of 5 stars - NOT EVEN CLOSE TO THE KARLOFF ORIGINAL! 2 1/1/2 STARS!
I have to wonder if the people reviewing this Hammer interpretation of the Mummy watched the same film I did. I found this to be one of the lesser Hammer productions. Hammer began making some good looking horror films because the genre was getting tired and Universal was churning out low budget horror flicks for a quick buck. This version of the Mummy is not even on par with the 1940's Universal Mummy films which spanned four serial type horror sequels. Forget about the original film starring Karloff, ... Read More



Rating: 4 out of 5 stars - A Lot of Fun
This movie is a lot of fun. As with all Hammer movies, it has good production values and excellent color cinematography. Although a fairly standard "mummy" plot is in play, this movie stands out for the excellent background sequence set in ancient Egypt. Lee and Cushing are both masters of the genre and always fun to watch. Four stars instead of five only because the ending seems a little abrupt and weak, but it's not enough to detract greatly from the overall pleasure of the flick.



Rating: 4 out of 5 stars - Visually Beautiful, Tremendously Moody, and a Lot of Fun
England's Hammer Studios existed primarily as a distributor--until the low budget 1955 THE QUATERMASS EXPERIMENT suddenly put the studio on the map. Sensing an untapped market, Hammer began to develop similar titles and by the early 1960s developed a style that mixed Victorian sets and costumes with bouffant hairstyles, bared breasts, and lots of blood. The films were largely responsible for jolting the horror genre back to life on both sides of the Atlantic, as popular in the United States as they were ... Read More





 



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