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Edward Scissorhands [Region 2] Posters Photos Art
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Edward Scissorhands [Region 2] DVD
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Price: $30.17
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Aspect Ratio: 1.85:1
Audience Rating: PG-13 (Parental Guidance Suggested)
Binding: DVD
EAN: 5039036003865
Format: Anamorphic, NTSC
Number Of Discs: 1
Region Code: 2
Sales Rank: 179327
Theatrical Release Date: December 14, 1990




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Editorial Review:

Amazon.com essential video:
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-colored suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fantasy, but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer

Amazon.com:
Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-colored suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fantasy, but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer



Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - a visual feast for the eyes
This movie is visually amazing. It is genius how Tim Burton brings out light and dark so vividly on screen. The contrast in color depicts mood so perfectly. Johnny Depp shows us early on in his career why he is the Best actor alive today and continues up to today's standards. You look at his face and his eyes as he acts you believe hes a scared guy shut away from others all his life. You see the kindness in his heart by his gentle movements and facial expressions. And although Winona Ryder has blond ... Read More



Rating: 5 out of 5 stars - A masterpiece of so many levels...
I am a fan of Tim Burton, not a huge one, but a fan none-the-less. I have always admired his visual style and his visionary status; that is to say that I admire the way he is always true to himself. There is no director out there like Burton, and thus each and every Burton film is undoubtedly a Burton classic. There is no question when one watches a Tim Burton film that it is without doubt a Tim Burton film.

No use beating a dead horse; I'll move on.

With all that said, `Edward ... Read More



Rating: 4 out of 5 stars - Great movie
This is a great movie! Depp plays a tragic character who is trying to fit in to the "pleasantville like" town. Although this movie can be sad at times, there are plenty of funny scenes.



Rating: 5 out of 5 stars - One of those films you'll be thinking about for days afterwards
This film is odd. Think of Desperate Housewives. Think of Pinnochio. Think lame love triangle. Think tortured genious. Then mix in Johnny Depp and Tim Burton, and you've got yourself an incrediby moving film you just won't be able to get out of your head for days afterwards. I don't know enough about this film to give it full justice in a review, but I will say that I put off watching this film for many years, and probably would have for many years more had my friend not leant me the DVD, and that's a choice ... Read More



Rating: 3 out of 5 stars - Despite my love for Depp and Burton
...I just don't care for this production as much. I do give in props from being a stunning visual spectacle, but that's just about it. I wanted a little more depth and I found Edward and Kim's love story too weak by half. The suburbanites were funny and how society tends to lift things up only to tear them down was a nice touch. Still, overall I thought it was just okay.





 



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