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Rear Window Posters
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List Price: $9.98Price: $6.63 You Save: $3.35 (34%)Prices subject to change.
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Audience Rating: PG (Parental Guidance Suggested)
Binding: VHS Tape
EAN: 0096898471138
Format: Closed-captioned, Color, Original recording remastered, Special Edition, NTSC
Label: Paramount Pictures
Manufacturer: Paramount Pictures
Number Of Items: 1
Publisher: Paramount Pictures
Release Date: March 06, 2001
Running Time: 113 minutes
Sales Rank: 1086
Studio: Paramount Pictures
Theatrical Release Date: 1954
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Editorial Review:
Amazon.com essential video:
Like the Greenwich Village courtyard view from its titular portal, Alfred Hitchcock's classic Rear Window is both confined and multileveled: both its story and visual perspective are dictated by its protagonist's imprisonment in his apartment, convalescing in a wheelchair, from which both he and the audience observe the lives of his neighbors. Cheerful voyeurism, as well as the behavior glimpsed among the various tenants, affords a droll comic atmosphere that gradually darkens when he sees clues to what may be a murder.
Photographer L.B. "Jeff" Jeffries (James Stewart) is, in fact, a voyeur by trade, a professional photographer sidelined by an accident while on assignment. His immersion in the human drama (and comedy) visible from his window is a by-product of boredom, underlined by the disapproval of his girlfriend, Lisa (Grace Kelly), and a wisecracking visiting nurse (Thelma Ritter). Yet when the invalid wife of Lars Thorwald (Raymond Burr) disappears, Jeff enlists the two women to help him to determine whether she's really left town, as Thorwald insists, or been murdered.
Hitchcock scholar Donald Spoto convincingly argues that the crime at the center of this mystery is the MacGuffin--a mere pretext--in a film that's more interested in the implications of Jeff's sentinel perspective. We actually learn more about the lives of the other neighbors (given generic names by Jeff, even as he's drawn into their lives) he, and we, watch undetected than we do the putative murderer and his victim. Jeff's evident fear of intimacy and commitment with the elegant, adoring Lisa provides the other vital thread to the script, one woven not only into the couple's own relationship, but reflected and even commented upon through the various neighbors' lives.
At minimum, Hitchcock's skill at making us accomplices to Jeff's spying, coupled with an ingenious escalation of suspense as the teasingly vague evidence coalesces into ominous proof, deliver a superb thriller spiked with droll humor, right up to its nail-biting, nightmarish climax. At deeper levels, however, Rear Window plumbs issues of moral responsibility and emotional honesty, while offering further proof (were any needed) of the director's brilliance as a visual storyteller. --Sam Sutherland
Average Rating: 
Rating:  -
Restorers' Error
What the restorers of Rear Window don't know is that there exist two dream sequences in the first part of the movie.
The first takes place after Grace Kelly leaves, and James Stewart has heard the scream from across the courtyard. Thelma Ritter, Grace Kelly, and the courtyard are shown while dialogue from Thelma Ritter's argument with Stewart about Lisa, and Lisa's argument with Stewart, are heard with an echo. The composer's new song is heard.
Read More
Rating: -
Spying through a glass darkly (his camera lens), L.B. Jefferies (Jimmy Stewart) believes a neighbor (Raymond Burr) has murdered his wife. His evidence is circumstanial at best and the wheelchair bound photographer has to convince his girlfriend Lisa (Grace Kelly)of the crime. In the process he puts his friends in harm's way. Hitch laces his film with more than a touch of humor and irony pulling this thriller together as it's L.B.'s peeping that reveals the ugly underneath--revealing something unsavory ... Read More
Rating: -
While Psycho is my favorite Alfred Hitchcock movie, Rear Window is a close second, and it is to my mind the classiest suspense movie he made. Jimmy Stewart and Grace Kelly provide that classiness. Cool and brazen Grace, subtlely provoking Jimmy at every turn, knowing he is stuck helpless with a broken leg in a cast, while she cavorts about getting too close to the murderer, and enjoying his nervousness. The murderer is played by Ramond Burr in a strange role for him--but he is very scary. In a stroke ... Read More
Rating:  -
Some films show their age, and others do not. Despite its reputation as a classic of great filmmaking, Alfred Hitchcock's 1954 film Rear Window, unfortunately, shows its age far too much. No, it's certainly not a bad film, by any standard, and is a pretty good one, but it's not one of Hitchcock's best, much less a great film, nor deserving of any place in the Top 100 Films lists of the last few years. Technically, it deserves many plaudits, but what really fails is the screenplay, written originally by John ... Read More
Rating: -
This film has become a cult film with time. Everything seems to be at that level though the situation and plot are rather light. What is important here is that Hitchcock transforms this back yard and garden surrounded by buildings all around and a highly voyeuristic microcosm into a complete vision of human society with all its dramas, and its pleasures and joys. To transform such a small microcosm entirely closed onto itself into a vision of the whole society we hardly get a couple of glimpses of through an ... Read More
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