|
The Assassination of Jesse James by the Coward Robert Ford Posters
Photos Art
Search for Posters Art Prints, photos and get
results from all the many categories from Amazon including
books, videos, dvds, toys, video games, and more.
|
|
|
Posters Art
Prints Photos collectables |
|
|
|
|
|
|
If for some reason you can't find what the
poster or art print your looking for try using the search boxes
below
|
|
 |
|
|
|
|
List Price: $19.98Amazon.com's Price: $14.99 You Save: $4.99 (25%)Prices subject to change.
Availability: Usually ships in 24 hours
Buy Now!
Aspect Ratio: 1.66:1
Audience Rating: R (Restricted)
Binding: DVD
Brand: Warner Brothers
EAN: 0012569763739
Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD-Video, Subtitled, Widescreen, NTSC
Label: Warner Home Video
Manufacturer: Warner Home Video
Number Of Items: 1
Publisher: Warner Home Video
Region Code: 1
Release Date: February 05, 2008
Running Time: 160 minutes
Sales Rank: 1583
Studio: Warner Home Video
Theatrical Release Date: 2007
Related Items:
Browse for similar items by category:
Editorial Review:
Description:
Everyone in 1880s America knows Jesse James. He’s the nation’s most notorious criminal, hunted by the law in 10 states. He’s also the land’s greatest hero, lauded as a Robin Hood by the public. Robert Ford? No one knows him. Not yet. But the ambitious 19-year-old aims to change that. He’ll befriend Jesse, ride with his gang. And if that doesn’t bring Ford fame, he’ll find a deadlier way. Friendship becomes rivalry and the quest for fame becomes obsession in this virile epic produced in part by Ridley Scott and featuring gripping portrayals by Brad Pitt (winner of the Venice Film Festival Best Actor Award) as Jesse and Casey Affleck as the youth drawn closer to his goal…and farther from his own humanity.
Amazon.com:
Of all the movies made about or glancingly involving the 19th-century outlaw Jesse Woodson James, The Assassination of Jesse James by the Coward Robert Ford is the most reflective, most ambitious, most intricately fascinating, and indisputably most beautiful. Based on the novel of the same name by Ron Hansen, it picks up James late in his career, a few hours before his final train robbery, then covers the slow catastrophe of the gang's breakup over the next seven months even as the boss himself settles into an approximation of genteel retirement. But in another sense all of the movie is later than that. The very title assumes the audience's familiarity with James as a figure out of history and legend, and our awareness that he was--will be--murdered in his parlor one quiet afternoon by a backshooting crony.
The film--only the second to be made by New Zealand–born writer-director Andrew Dominik--reminds us that Dominik's debut film, Chopper (2000), was the cunningly off-kilter portrait of another real-life criminal psychopath who became a kind of rock star to his society. The Jesse James of this telling is no Robin Hood robbing the rich to give to the poor, and that train robbery we witness is punctuated by acts of gratuitous brutality, not gallantry. Nineteen-year-old Bob Ford (Casey Affleck) seeks to join the James gang out of hero worship stoked by the dime novels he secretes under his bed, but his glam hero (Brad Pitt) is a monster who takes private glee in infecting his accomplices with his own paranoia, then murdering them for it. In the careful orchestration of James's final moments, there's even a hint that he takes satisfaction in his own demise.
Affleck and Pitt (who co-produced with Ridley Scott, among others) are mesmerizing in the title roles, but the movie is enriched by an exceptional supporting cast: Sam Shepard as Jesse's older, more stable brother Frank; Sam Rockwell as Bob Ford's own brother Charlie, whose post-assassination descent into madness is astonishing to behold; Paul Schneider, Garret Dillahunt, and Jeremy Renner as three variously doomed gang members; and Mary-Louise Parker, who as Jesse's wife Zee has few lines yet manages with looks and body language to invoke a wellnigh-novelistic backstory for herself. There are also electrifying cameos by James Carville, doing solid actorly work as the governor of Missouri; Ted Levine, as a lawman of antic spirit; and Nick Cave, composer of the film's score (with Warren Ellis) and screenwriter of the Aussie "Western" The Proposition, suddenly towering over a late scene to perform the folk song that set the terms for the book and movie's title.
Still, the real costar is Roger Deakins, probably the finest cinematographer at work today. The landscapes of the movie (mostly in Alberta and Manitoba) will linger in the memory as long as the distinctive faces, and we seem to feel the sting of its snows on our cheeks. Interior scenes are equally persuasive. Few Westerns have conveyed so tangibly the bleakness and austerity of the spaces people of the frontier called home, and sought in vain to warm with human spirit. --Richard T. Jameson
Average Rating: 
Rating:  -
Though this film moves at a crawling pace at more than one point, it keeps your interest, even though you know exactly how it ends. I normally despise westerns, but I heard nothing but praise for this film, and especially Casey Affleck, so I put my feelings aside for a while. I really wish it wasn't as long as it was. I understand it was attempting to establish mood, and suspense. It does succeed, for the most part, but truly, if it wasn't for the wonderful performances, it would be an utterly bland ... Read More
Rating:  -
Beautiful film that is almost like art to watch. Brad Pitt captures the character of a man tormented, ruthless, and even suicidal, but trapped in a legend bigger than any man can bear. Casey Afflack portrays a man who idolizes Jesse, but who in the end comes to hate him and love him at the same time. Violent, but how can it not be? But the violence fits the era and the storyline. Excellent acting, beautiful cinematography, intriguing story.
Rating: -
This is an unusual movie, especially for a modern-day-filmed western.
Brad Pitt and Casey Affleck are the "stars" of this movie but the biggest star to me was Roger Deakins, the man who photographed this film. Wow, this is beautiful! It's so stunning to look at in so many spots that there were many times I was more involved in the visuals than the story. In that sense, it reminded me of the marvelously-photographed films of Terrence Malick. Kudos to Andrew Dominik for a similar style directorial ... Read More
Rating:  -
The movie has a very long title. Interestingly enough, the screenplay's copyright is held by Warner Bros. This corporate screenplay was directed by New Zealander Andrew Dominik. The Australian Film Institute gave him a Best Achievement in Directing award for Chopper. If you read the title, you know what happens in the film; so Domink tries to make it interesting to watch HOW it unfolds. We get some of the flashback of the last James Gang robbery in Blue Cut, Missouri. The film comments on how powerful a ... Read More
Rating: -
The Wild West comes to life, a Post-Post, John Wayne era western, full of psychological whimsy and moody brooding. The world of the West, a wilderness with occasional towns, leaves men and women on their own to prosper and defend what they have. The outlaw essentially takes what he wants, plays god with the lives of others, and has a domestic life tinged by short life spans. The angel of death always seems to be lurking in a Victorian sort of way.
Jesse is nuts, and Ford is afraid for his own ... Read More
|
