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List Price: $14.00Amazon.com's Price: $11.20 You Save: $2.80 (20%)Prices subject to change.
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Binding: Paperback
Dewey Decimal Number: 813.54
EAN: 9780375724374
ISBN: 0375724370
Label: Vintage
Manufacturer: Vintage
Number Of Items: 1
Number Of Pages: 307
Publication Date: April 24, 2001
Publisher: Vintage
Release Date: April 24, 2001
Sales Rank: 82195
Studio: Vintage
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Editorial Review:
Product Description:
With his first novel since the internationally acclaimed The English Patient, Booker Prize—winning author Michael Ondaatje gives us a work displaying all the richness of imagery and language and the piercing emotional truth that we have come to know as the hallmarks of his writing.
Anil’s Ghost transports us to Sri Lanka, a country steeped in centuries of tradition, now forced into the late twentieth century by the ravages of civil war. Into this maelstrom steps Anil Tissera, a young woman born in Sri Lanka, educated in England and America, who returns to her homeland as a forensic anthropologist sent by an international human rights group to discover the source of the organized campaigns of murder engulfing the island. What follows is a story about love, about family, about identity, about the unknown enemy, about the quest to unlock the hidden past–a story propelled by a riveting mystery. Unfolding against the deeply evocative background of Sri Lanka’s landscape and ancient civilization, Anil’s Ghost is a literary spellbinder–Michael Ondaatje’s most powerful novel yet.
Amazon.com Review:
In his Booker Prize-winning third novel, The English Patient, Michael Ondaatje explored the nature of love and betrayal in wartime. His fourth, Anil's Ghost, is also set during a war, but unlike in World War II, the enemy is difficult to identify in the bloody sectarian upheaval that ripped Sri Lanka apart in the 1980s and '90s. The protagonist, Anil Tissera, a native Sri Lankan, left her homeland at 18 and returns to it 15 years later only as part of an international human rights fact-finding mission. In the intervening years she has become a forensic anthropologist--a career that has landed her in the killing fields of Central America, digging up the victims of Guatemala's dirty war. Now she's come to Sri Lanka on a similar quest. But as she soon learns, there are fundamental differences between her previous assignment and this one: The bodies turn up weekly now. The height of the terror was 'eighty-eight and 'eighty-nine, but of course it was going on long before that. Every side was killing and hiding the evidence. Every side. This is an unofficial war, no one wants to alienate the foreign powers. So it's secret gangs and squads. Not like Central America. The government was not the only one doing the killing. In such a situation, it's difficult to know who to trust. Anil's colleague is one Sarath Diyasena, a Sri Lankan archaeologist whose political affiliations, if any, are murky. Together they uncover evidence of a government-sponsored murder in the shape of a skeleton they nickname Sailor. But as Anil begins her investigation into the events surrounding Sailor's death, she finds herself caught in a web of politics, paranoia, and tragedy.
Like its predecessor, the novel explores that territory where the personal and the political intersect in the fulcrum of war. Its style, though, is more straightforward, less densely poetical. While many of Ondaatje's literary trademarks are present--frequent shifts in time, almost hallucinatory imagery, the gradual interweaving of characters' pasts with the present--the prose here is more accessible. This is not to say that the author has forgotten his poetic roots; subtle, evocative images abound. Consider, for example, this description of Anil at the end of the day, standing in a pool of water, "her toes among the white petals, her arms folded as she undressed the day, removing layers of events and incidents so they would no longer be within her." In Anil's Ghost Michael Ondaatje has crafted both a brutal examination of internecine warfare and an enduring meditation on identity, loyalty, and the unbreakable hold the past exerts over the present. --Alix Wilber
Average Rating: 
Rating:  -
While the poetic style is still present, the story is less involving then it should be. ANIL'S GHOST does not capture the reader the way The English Patientdoes. Sri Lanka is the locale for this tale, an examination of the country's brutal civil war and the role a returning expatriate forensic anthropologist, Anil, plays in the examination of what could prove to be a politically motivated murder. The real problem with the novel relates to the flashback style Ondaatje used to such good effect in THE ... Read More
Rating: -
Ondaatje is a bit of a mystery to me - I hated "The English Patient" but loved "Running in the Family", so I was expecting to have a strong reaction - one way or the other - to "Anil's Ghost". Unfortunately, that was not the case. The narrative is fractured - on purpose - which I felt detracted from the story even if it added some stylistic symbolism.
For some reason, Ondaatje is not able to capture the human horror of his subject matter adequately in words - and perhaps no one could - ... Read More
Rating:  -
I love this book. Michael Ondaatje writes about loss and grief and passion, and he does it with devastating quietness. This is a beautiful book, and one I have returned to again and again.
Rating: -
"One village can speak for many villages. One victim can speak for many victims" (p. 176).
In its examination of human brutality, this is a powerful novel that searches for meaning in the darkness of the human heart. The horror, one is reminded, the horror. Best known for his Booker Prize winning novel, The English Patient, Philip Ondaatje's (1943) fourth novel, Anil's Ghost (2000), tells the story of 33-year-old Anil Tissera, a westernized native Sri Lankan, who returns to Sri Lanka to ... Read More
Rating:  -
In order to maintain our sanity, we live on the very margin of our conscience, barely conscious of the world around us. If we want to step deeper inside this world, the revelations will ruin us for the lack of solutions for the ever existent human crises. A mere glimpse into the world will make us longing for the peace of mind we once had, to find an easy solution or forget the truth of life altogether. The absent minded happiness and peacefulness of the middle class is the healthiest/least self-destructive ... Read More
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