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Pleasantville [Region 2] Posters
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I know it's kinda leftist and preachy, but I loved it and it touched something inside me. So I'm a bleeding-heart liberal...whatever. But the movie does make some great points about the stiff and unrealistic crap the 50's tried to paint everyone into. (80's kid here...but I've seen plenty of 50's TV and I know my history) I love the idea of this film and how...just as in the real world...as color TV came to be...so did a more open minded world. I've read some negative reviews and most just complain about the ideals this film portray...but hey...it's a free country for a reason folks. I do appreciate that most reviewers admit the acting and effects of this film are good...it's just a great film all around IMO and I would recommend it to anyone...regardless of your political ideals. Try putting those aside while watching. Either way it will spark a reaction and that is what art is all about.
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Pleasantville is more than just a small-town piece of Americana trapped in a time warp that is fixated on the conservatively clean-cut 1950's, it is a small fictional town that finds itself struggling with social issues that are all too real and timeless for those who continue to struggle with their divisive influences. Racism, bigotry, artistic and intellectual censorship, conformity without question or debate, non-conformity with purpose and hope, and the struggle for individuality are all beautifully and sensitively illustrated though filmic metaphors and touching performances in this family film. Whether you are one who has always found comfort and security conforming to the assertive voices and visions of others or know the personal struggle of leaving comfort to secure and assert your own voice and vision in a world that doesn't always agree, this is a poignant film that is highly capable of striking a chord in the hearts of us all.
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Greast film - a modern-day Morality Play (read Genesis first to fully appreciate it). Also beautiful cinematic techniques.
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Pleasantville starring Tobey Maguire and Reese Witherspoon is a good comedy/drama but I was expecting so much more. The two leads are so talented and Joan Allen and Jeff Daniels bring realism to their roles. The problem I have with this film is the slow pace, it feels too long and dragged out and the black and white is kind of distracting when color is introduced halfway into the film. Interesting flick but poorly excuated.
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Pleasantville is an underappreciated movie full of interesting, deep concepts hidden fairly well with subtle acting and introspective dialogue, and with not-so-subtle visual images. In fact, the visual aspects of this movie, the blending of color with black-and-white, are incredible at times. Seeing a black-and-white tree burst into flames is quite beautiful. Seeing an entire town visually transform from stale black-and-white to vivid color is technically stunning.
David (Tobey McGuire) is a modern, nerdy teenager who follows a `50s-esque show "Pleasanville", a sitcom of sorts with the shucks and darns expected during the nicest dinner at Mayberry. It's a `50s utopia, where the men wear suits, work 9-to-5, and the women have dinner ready and ironing done promptly. All of that changes when a TV repairman (Don Knotts) gives David a fanciful TV-remote that transports him and his sister Jennifer (Reese Witherspoon) into the TV show.
As a big fan of the show, David - who is now Bud - knows everything about the perfectly balanced town. He believes in the town, and the harmonious nature with which everything works. He knows the town is perfect, and the basketball team has never missed a shot (possibly the funniest part of the movie - SWISH! SWISH! SWISH!) Jennifer - who is now Mary Sue - on the other hand, is a Pleasantville neophyte and none too happy about the step back in time. In no time at all, Mary Sue has her legs wrapped around the town basketball stud Skip (Paul Walker) at Lover's Lane where she teaches him to double-dribble. With Pandora's Box opened, the black-and-white town begins to show incredible changes: vivid colors appear out of nowhere. With color representing change and maybe even improvement, it's up to Bud to not only maintain the status quo, but also to explain the rapid changes to the townsfolk as he tries to find a way home amidst the chaos.
I could have done without the over-the-top racial connotation, with the town beginning a counter-rebellion against the "coloreds", and the infidelity angle was contradictory to the movie's actual message, but it's easily ignorable because of the superb acting and ground-breaking cinematography. Great movie.
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