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Rating:  -
Dalton performed the character perhaps closest to that of the novels but it cost him some of the over-the-top fun that the movies brought to the part. He was looked at to replace Connery but was seen to be too young at the time. Both of Dalton's films have the awkward combination of old style (even "silly") Bond and the "modern", realistic style that film audiences want today. Maybe these are the teen-age years for the series. Licence to Kill is the better of the two and borrows an unused storyline from the novel Dr. No to send Bond on a mission with more grit and seriousness than we have seen before. Robert Davi makes a great Bond villain without trying to take over the world. One treat is seeing a young Benicio Del Toro as the evil henchman. The drawback to the film is the serious-silly-serious nature to the story that gives the film an uneven feel. For example, the finale is exciting but marred by two stunts in particular. One looks fantastic but makes no sense and another (this doesn't ruin anything) where a semi does a wheelie is just plain stupid. Overdone stunts can be fine (except semi wheelies) but not when you are trying to make a more down to earth Bond film. The film is still worth seeing and has enough action to satisfy even non-Bond fans. Dalton should have been able to make at least one more Bond film and if the improvements from The Living Daylights to here had continued, his work in the series would have been more respected. Actually, because he played a more serious Bond, he is probably the only one of the actors who could pull off an older James Bond. One solace for fans would be the funny Looney Tunes: Back in Action where he plays a parody of himself.
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Timithy Dalton is an underated Bond. However I think that he was a way better Bond than both Moore and Bronsan. He has a bit of a darker and mystirious side and it gives Bond a bit more personality. The plot of this movie offers the viewer two relaxing hours
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Caught between the end of the cold war and radical Islamic terrorism this Bond film lives on the edge. LICENCE TO KILL is a solid James Bond film with Timothy Dalton.
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It's taken me nearly twenty-three years to see my first Bond movie. I just haven't been interested in them before. All the hype about Daniel Craig being the next James Bond just turned be right off. But people seem to be determined to get me to see the most hyped films - next it will be Lord Of The Rings! (NO Dad.)
After seeing my first Bond film, yes it was good, but I can take them or leave them. Timothy Dalton? I wasn't so keen on him as Bond. I can't quite put my finger on what it is, but my mum seems to have a thing for Roger Moore. I just think Bond should be at least attractive, but I suppose women of a certain age will find Timothy Dalton attractive. Not for me I'm afraid. He also plays a very bitter Bond. I mean, his best friend and his wife of a few hours were just killed, but it's weird to see him so bitter. I've seen bits of Roger Moore, and he's very different to that.
Why I've never seen James Bond movies is probably because they seem to be the ultimate teenage boy's fantasy. The big guns (overcompensating for something?), the fancy gadgets, the cars that they'll never earn enough money to have, and the women who they can only dream about. It's just a bit weird, and it's a bit of a turn off. Every little boy probably wants to be James Bond. It's like the (male) reviewers who go on about the Bond women. But I suppose that could be taken either way.
The best thing about Licence To Kill, was in my opinion, the iguana. It was sooooo cute!
I don't think this was my best film to introduce me to the Bond series, although I could be wrong. It was perfectly enjoyable, and watchable. And for some reason, it probably will stand the test of time.
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Timothy Dalton returns as James Bond in "Licence to Kill," the first Bond film to receive a Restricted (R) rating code for excessive violence... Unfortunately, the added violence featured in the film was unnecessary... What the film needed wasn't excessive violence but a fresh story line...
In the most serious Bond movie since "From Russia with Love," writer Michael G. Wilson eliminated some of the very elements that have contributed to the longevity of the series--namely, the biting humor, fascinating locations, and a grandiose scheme perpetrated by a fantasy villain... "Licence to Kill" was almost a claustrophobic Bond considering its limited and uninteresting trips to Key West and Isthmus City...
Dalton--who is once again serious and on target--should have been lightened up a bit... Audiences who spend two or more hours with Bond need to laugh once in a while... Thankfully, Q, awarded the biggest role of his film career (following a tip-off from an anxious Moneypenny), was on hand to provide some crucial comic relief...
The story was a brave departure from anything previously ventured: shortly after acting as best man at the wedding of Felix Leiter, Bond discovers that Leiter's bride has been murdered and that his friend has been savaged by a shark... With grim determination, 007 launches a personal vendetta against Frank Sanchez, the sadistic drug baron responsible; his obsession sees him stripped of his license to kill by a furious M (Robert Brown).
Robert Davi proved to be an excellent choice for the role of murderous South American drug lord Franz Sanchez... Surrounded by a private army that keeps potential assassins at arm's length, Sanchez was not an easy target... His main associates include: corrupt seaman Anthony Zerbe, a drunken pervert and a sadist Benecio Del Toro...
Carey Lowell proved to be the best Bond girl in years... She was delightful as Pam Bouvier, a resourceful, beautiful CIA pilot and undercover operative who helps Bond at every turn... Her excellent introduction in the Barrelhead Bar is nothing but pure dynamite...
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