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Rating:  -
Eric Larson has an almost lyrical voice for historical non-fiction storytelling presenting historical fact in a style generally associated with works of fiction. After reading Larson's Devil In The White City, The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America I was excited to get my hands on Thunderstruck. It was a disappointment. Larson chose Edwardian England and the dawning of the 20th century as the backdrop for his tale The period was ripe with growth and discovery. There was an innocence lost as, still reeling from the White Chapel murders, Londoners feared Jack the Ripper around every corner.
From this period of the dawning of the technical age, Eric Larson plucks two intriguing tales, each an enthralling bit of history in its own right. The first of these is Marconi's development of wireless communication. Larson skillfully lays out Marconi's life from childhood in Italy, his lack of formal education, his Irish mother's insistance that young Guglielmo learn English even at the expense of his native Italian, his eventual migration to England, his obsession with wireless communication, his lack of social savvy and the resultant failure of his romantic relationships.
And, while Larson unravels a tale of Marconi bouncing back and forth across the Atlantic in multiple failed attempts to transmit and receive timely wireless messages between Europe and North America he introduces a little known, but pivotal character in history ... Hawley Harvey Crippen.
Crippen, a mousey, bespectacled, little American, had the misfortune of marrying a young woman with loose social graces and high hopes. Their story follows the couple's circuitous and often tumultuous journey from America to England Where Mrs. Crippen, a failed actress in America believes she can find a better audience for her mediocre talents. She changes her name to Belle and, for a short time, becomes the belle of third class salons (theatres) about London. Although a failure as and actress, her exuberant personality makes her a darling among the theatre set nonetheless. But Belle's charm does not extend to her husband. She attempts to remake Hawley into her concept of what he should be, buying all of his clothes, orchestrating his life, and even renaming him Peter. Her own personal insecurities require him to be at her beckon call accounting for every moment he is not with her.
But, in the office of his patent medicine business, Hawley hires a secretary, Ethel La Neve, with whom he develops a romantic relationship. Bolstered by his romance with Ethel, Hawley stops worrying over Belle's threats to leave him. And, when one day she turns up missing, he explains her absence with a story of flight to America. But, before long he offers reports of Belle falling ill and, later, succumbing to her illness, and her friends start to question his story. When the theatre guild ladies go to the police, Hawley's cover begins to disintegrate and a global manhunt begins. Hawley and Ethel take flight, eventually boarding a ship in the Nederlands headed for America.
By this time, Marconi's wireless has found technical if not financial success as Marconi continues struggling to prove its worth and overcome competition from others working on similar radio wave advancements as well as the established cablegram. And the Marconigram proves to be the undoing of Hawley and Ethel when reports explode in the air with every snap of the telegrapher's signal on land and aboard ships crossing the Atlantic. When the lovers arrive in America, Assistant Commissioner McNaughton of Scotland Yard is there ahead of them.
Larson takes these two individually fascinating tales and, based on the one slender common link, attempts to intertwine them into one story. It seems almost as though he randomly interspersed chapters of two different short stories to make it big enough to call it a book. The result is a mish-mash of confusing chapters that flip-flop from one story to the other with no apparent connection, leaving the reader in a state of confusion with each new chapter.
I found myself being thrust out of the stories with every chapter, my mind doing a double-take at each new beginning, having to stop and review what I just read and trying to acclimate myself to the next chapter and the next. The ultimate effect is a sense of disequilibrium leading to a wholly unsatisfying reading experience and the most disconcerting fact is that Larson is far too forgiving of his own shortcomings in this book.
Despite the technical failure of Thunderstruck, however, I am sufficiently impressed with Larson's writing skills to want to read more of his non-fiction novels: Isaac's StormIsaac's Storm: A Man, a Time, and the Deadliest Hurricane in History; An Act of VengeanceAn Act of Vengeance; and even Lethal Passage Lethal Passage: The Story of a Gun which is more a cry for social awareness than a simple historical tale.
Thunderstruck is well worth the read if only for the historical information it imparts. But, if you've not read any of Larson's work, Thunderstruck is not the place to begin. I would recommend,instead, Devil in the White City. And, when you do read Thunderstruck, be aware of its shortcomings.
Rating: -
This is not a quick, easy read. This one takes a lot of concentration, yet it was very interesting. History buffs will love it.
Rating:  -
Larson seems to have devised a genre or writing style of his own making with this book and his earlier bestseller "Devil in the White City." The two works are similar in that they both tell the intersecting stories of a creator and a destroyer. In "White City," it was the architect Daniel Burnham and the serial killer H.H. Holmes whose stories were told in alternating chapters; in "Thunderstruck," it's the stories of Guglielmo Marconi, inventor of wireless telegraphy, and suspected killer H.H. Crippen which are alternated until they intersect. The similarity of style between the two books is so uncanny that it could not be chance; Larson has intentionally created a "genre" of sorts for himself.
This one is perhaps even better than "White City." Marconi is infinitely more interesting than Burnham, and his creation is more interesting than the latter's architecture. Crippen is more of a sympathetic character than H.H. Holmes, although the latter is perhaps more fascinating because of his much higher body count. It's almost a wash between the two books, and I daresay fans of the earlier book will be pleased with this one, too. Personally, I've really been enjoying these "turn-of-the-century true crime books" (as I classify them), whether by Larson or others.
One more thing: persevere. The first 100 expository pages may drag, but soon you learn to care for the principals and the book then begins to really move. Stick with it.
Rating:  -
If you are interested in the history of radio, or British/Italian/American history circa 1900, this is really worth your perusal. The main characters, Marconi and Crippen, have absolutely nothing in common but fate. Follow their seemingly unconnected lives to the climax of this book and you will be privy to an intriguing example of how odd twists and turns can affect all of us. Nice piece of writing!
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Not quite as good as Devil in the White City, but a satisfying read anyway. Learned more than I ever thought I would about Marconi and the wireless--fascinating period in history. The book includes excellent notes, ideas for further reading.
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